Original: $1,700.00
-65%$1,700.00
$595.00The Story
Size:28 x 34 in.
Lee Ellisās original painting It Isnāt Even Sunny Tina, measuring 24" x 30", is a captivating portrait layered with dry wit and raw artistic energy. Painted in his signature contemporary style, the piece features a striking monochromatic figure set against a bold ochre backdrop. The subject, clad in a striped turtleneck, gazes defiantly skyward through oversized white-rimmed sunglassesāan ironic nod to the title. Ellisās expressive use of charcoal and paint brings texture and dimension to the face, with visible mark-making and scratches capturing both strength and vulnerability.
This portrait reflects Ellisās ongoing exploration of the human face as a vehicle for experimentation rather than portraiture. His figures, often shrouded in anonymity, become canvases themselvesāemotional landscapes layered with rich textures, dark themes, and flashes of humour. Here, the oversized glasses obscure the eyes, creating distance and intrigue, while the tilted head conveys attitude and quiet rebellion.
A Bristol-based multi-media artist, Ellis draws influence from artists like Francis Bacon and Lucian Freud. Fascinated by the interplay of materials, he uses oils, spray paint, and charcoal to build unique compositions full of movement and intensity. It Isnāt Even Sunny Tina is a testament to his fearless approach and ability to fuse dark subjects with playful contemporary commentary.
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Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
Size:28 x 34 in.
Lee Ellisās original painting It Isnāt Even Sunny Tina, measuring 24" x 30", is a captivating portrait layered with dry wit and raw artistic energy. Painted in his signature contemporary style, the piece features a striking monochromatic figure set against a bold ochre backdrop. The subject, clad in a striped turtleneck, gazes defiantly skyward through oversized white-rimmed sunglassesāan ironic nod to the title. Ellisās expressive use of charcoal and paint brings texture and dimension to the face, with visible mark-making and scratches capturing both strength and vulnerability.
This portrait reflects Ellisās ongoing exploration of the human face as a vehicle for experimentation rather than portraiture. His figures, often shrouded in anonymity, become canvases themselvesāemotional landscapes layered with rich textures, dark themes, and flashes of humour. Here, the oversized glasses obscure the eyes, creating distance and intrigue, while the tilted head conveys attitude and quiet rebellion.
A Bristol-based multi-media artist, Ellis draws influence from artists like Francis Bacon and Lucian Freud. Fascinated by the interplay of materials, he uses oils, spray paint, and charcoal to build unique compositions full of movement and intensity. It Isnāt Even Sunny Tina is a testament to his fearless approach and ability to fuse dark subjects with playful contemporary commentary.
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