The Story
The Connor Brothersā original painting Mumās the Word, measuring 39" x 63", offers a striking visual parody of vintage Penguin book spines, each inscribed with wittily altered titles and ironic commentary on modern culture. Rendered in hues of green and cream with a distressed aesthetic, the piece mimics the wear and nostalgia of aged paperbacks. Authors range from real-world figures such as Mark Zuckerberg and Shakespeare to the artists themselves, with fictional or satirical titles like āPride in Prejudiceā and āI Drink Therefore I Amā. At the heart of the work is āMumās the Wordā, a nod to secrecy, silence, and the inner voice, framed ironically within a piece that so boldly speaks its mind.
This playful yet pointed work embodies the ethos of Mike Snelle and James Golding, the British duo known as The Connor Brothers. Originally conceived under a fabricated identity, their work explores the blurred boundaries between truth and fictionāan increasingly relevant theme in today's digital age. Their art blends the nostalgic appeal of mid-century pulp fiction with contemporary commentary, laced with humour, critique, and poetic irony. The result is both visually compelling and intellectually provocative, inviting viewers to reconsider how meaning is constructed in art, media, and everyday life.
Description
The Connor Brothersā original painting Mumās the Word, measuring 39" x 63", offers a striking visual parody of vintage Penguin book spines, each inscribed with wittily altered titles and ironic commentary on modern culture. Rendered in hues of green and cream with a distressed aesthetic, the piece mimics the wear and nostalgia of aged paperbacks. Authors range from real-world figures such as Mark Zuckerberg and Shakespeare to the artists themselves, with fictional or satirical titles like āPride in Prejudiceā and āI Drink Therefore I Amā. At the heart of the work is āMumās the Wordā, a nod to secrecy, silence, and the inner voice, framed ironically within a piece that so boldly speaks its mind.
This playful yet pointed work embodies the ethos of Mike Snelle and James Golding, the British duo known as The Connor Brothers. Originally conceived under a fabricated identity, their work explores the blurred boundaries between truth and fictionāan increasingly relevant theme in today's digital age. Their art blends the nostalgic appeal of mid-century pulp fiction with contemporary commentary, laced with humour, critique, and poetic irony. The result is both visually compelling and intellectually provocative, inviting viewers to reconsider how meaning is constructed in art, media, and everyday life.
















