The Story
Size:28 x 34 in.
Lee Ellis’s original painting Tell that to your face (24" x 30") is a striking exploration of character, humour and unease. Set against a vivid green backdrop defined by sharp, linear outlines, the figure emerges in bold contrast. The subject’s face, rendered in earthy tones with exaggerated wide eyes, conveys both intensity and absurdity, challenging the viewer to confront the tension between comedy and discomfort. Their elaborate patterned wig, filled with swirling monochrome motifs, adds a surreal decorative element that contrasts with the stark realism of the features. The floral red garment, rich in texture and form, pushes the portrait further into the realm of contemporary satire.
Ellis’s work often occupies this space between seriousness and wit, and here he playfully subverts traditional portraiture by fusing historical references with modern artistic energy. The rigid formality of the sitter’s attire is undermined by the oversized eyes and sharp outlines, creating a portrait that feels both regal and ridiculous.
As with much of his practice, Ellis brings together oils, spray paints and mixed media to push the limits of portraiture. His distinctive approach celebrates experimentation and spontaneity, balancing raw expressiveness with graphic precision, and ensuring that every piece is as unpredictable and memorable as its title.
Details & Craftsmanship
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Description
Size:28 x 34 in.
Lee Ellis’s original painting Tell that to your face (24" x 30") is a striking exploration of character, humour and unease. Set against a vivid green backdrop defined by sharp, linear outlines, the figure emerges in bold contrast. The subject’s face, rendered in earthy tones with exaggerated wide eyes, conveys both intensity and absurdity, challenging the viewer to confront the tension between comedy and discomfort. Their elaborate patterned wig, filled with swirling monochrome motifs, adds a surreal decorative element that contrasts with the stark realism of the features. The floral red garment, rich in texture and form, pushes the portrait further into the realm of contemporary satire.
Ellis’s work often occupies this space between seriousness and wit, and here he playfully subverts traditional portraiture by fusing historical references with modern artistic energy. The rigid formality of the sitter’s attire is undermined by the oversized eyes and sharp outlines, creating a portrait that feels both regal and ridiculous.
As with much of his practice, Ellis brings together oils, spray paints and mixed media to push the limits of portraiture. His distinctive approach celebrates experimentation and spontaneity, balancing raw expressiveness with graphic precision, and ensuring that every piece is as unpredictable and memorable as its title.
